Combustible Celluloid
 
With: Vince Vaughn, Kathryn Newton, Celeste O'Connor, Misha Osherovich, Katie Finneran, Alan Ruck, Uriah Shelton
Written by: Christopher Landon, Michael Kennedy
Directed by: Christopher Landon
MPAA Rating: R for strong bloody horror violence, sexual content, and language throughout
Running Time: 101
Date: 11/13/2020
IMDB

Freaky (2020)

3 Stars (out of 4)

Swap Meat

By Jeffrey M. Anderson

Recent studies have suggested that horror movies may actually have the capacity for soothing jangled nerves in some viewers, rather than rattling.

That, combined with the comforting formula and lighthearted tone of the gory supernatural serial killer movie Freaky, which opens Friday in selected theaters, makes it perfect for this time of COVID-19.

It's a body-swapping movie, and the title is deliberately meant to recall the two Freaky Friday movies, the 1976 version with Jodie Foster and Barbara Harris, and the 2003 version with Lindsay Lohan and Jamie Lee Curtis, enhanced by the fact that it's opening on Friday the 13th.

Plus its practical-looking gore effects harken back to the more innocent days of 1980s horror, when monster-makers like Rick Baker and Rob Bottin would spend hours building things from latex and rubber and other goopy ingredients.

Freaky fits like a glove, but, coming from the director of the two clever and spirited Happy Death Day movies, it's also fresh and lively and funny.

No one could have asked for two better body-swappers than Vince Vaughn, as the serial killer known as the Blissfield Butcher, and Kathryn Newton as shy, under-confident high-schooler Millie.

The 6'5" Vaughn is sinister enough to pull off a vicious killer, but also goofy enough to comfortably play a teen girl. Then, Newton seems to relish the idea of donning a red leather jacket, glaring at handsy jocks, and letting them have it.

It begins with a prologue, as four expendable teens drink beer and make out and tell stories of the Butcher before he strikes. It's typical, but director and co-writer Christopher Landon (son of Michael) knows it's typical, so he rolls with it.

Then, it's established that Millie has recently lost a father. Her mother (Katie Finneran) drinks too much Chardonnay and forgets to pick up Millie after football games, where she jumps up and down in the beaver mascot suit. Millie's sister (Dana Drori) is a no-nonsense police officer.

One night, after the Homecoming game, the butcher strikes, using a special, mystical knife stolen from the prologue. When he stabs Millie, they somehow switch bodies.

Millie, in Vaughn's body, must convince her best friends Nyla (Celeste O'Connor) and Josh (Misha Osherovich), to help her; they have 24 hours to switch back or the change will be permanent.

Meanwhile, the Butcher, in Newton's body, starts to have fun whacking teachers (Alan Ruck, from Ferris Bueller's Day Off, is one particularly nasty example) and other annoyances, and no one recognizes him.

In one terrific scene, Millie, in Vaughn's body, finds out that her crush, Booker (Uriah Shelton), likes her back, and their flirting escalates, despite the obvious obstacle.

Landon's direction is clean and springy, moving at a good clip, but still knowing how to stage a perfect scare.

One amazing scene takes place in what appears to be a haunted house-style miniature golf course, with pastel-colored rooms jammed full of eerie, plastic horrors, just waiting to be mistaken for the real thing.

Landon's rhythms and use of space suggest that he has studied Wes Craven at length, and perhaps especially the Scream movies, which used their knowledge and awareness of horror to take things to another level.

Freaky is produced by the inimitable Jason Blum, who has built his Blumhouse empire on the backs of low-budget, high-concept horror movies that tend to please fans and make small fortunes at the box office.

A recent New York Times article took a deep-dive look into his Purge series and how effectively those four (so far) films reflect America's dark times.

Freaky will never merit that kind of article, but it's a delightful distraction, albeit one with some slashed throats and a few severed heads.

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