Combustible Celluloid


New movie reviews, DVD reviews, interviews, and all things film.

 
Home | Archive | About | Blog | Lists | Links | E-mail me | Sign up for my weekly newsletter! |  
 



Dark Shadows ***
Darling Companion **1/2
God Bless America ***
Marvel's The Avengers ***1/2
ReGeneration ***
Sound of My Voice ***
The Pirates! Band of Misfits ***1/2
The Raven ***
Safe **1/2
The Lucky One 1/2*
4:44 Last Day on Earth **1/2
Blue Like Jazz **
The Cabin in the Woods ***1/2
Damsels in Distress ***1/2
Lockout **1/2
The Three Stooges ***
The Turin Horse ****
We Have a Pope **1/2
American Reunion **
Goon ***
More
 



Bird of Paradise
Maniac Cop
Miss Representation
Mother's Day (2012)
Murder Obsession
Tim and Eric's Billion Dollar Movie
Underworld Awakening
The Vow
Clueless
Haywire
Hit!
Men in Black
New Year's Eve
The Red House
More
 

Film Features

Peter Lord
Abel Ferrara
Nicholas Sparks
Whit Stillman
Sean Hayes
Terence Davies
Peter Lord Interview
Juan Carlos Fresnadillo
Taika Waititi
Will Ferrell
Interview: Ewan McGregor [SF Examiner]
Interview: the 'Project X' stars [SF Examiner]
Interview: Oren Moverman
Interview: Rachel McAdams
Interview: Ti West
Interview: Elizabeth Banks
2011: The Year's Best Films
Year's Best DVDs and Blu-Rays
San Francisco Film Critics Circle Awards
The Decade's Ten Best Films: 2000-2009
My Top 100 Films [Updated]
My Top 60 Directors [Updated]
Christmas Movies
Essential Halloween & Horror Movies
Cult Movies
More Features and Interviews
 

Film Books

Have Yourself a Movie Little Christmas, by Alonso Duralde
Not Quite a Memoir: Of Films, Books, the World, by Judy Stone
James Agee: The Library of America Collection, by James Agee
Just Making Movies, by Ronald L. Davis
More Books
 



Home
Reviews A-C
Reviews D-F
Reviews G-J
Reviews K-M
Reviews N-Q
Reviews R-T
Reviews U-Z
 

The online film magazine Combustible Celluloid offers new movie reviews, DVD reviews, film reviews, actor interviews, actress interviews, director interviews, film books and all things cinema related for the thoughtful and passionate. Online for ten years! Over 3000 reviews!

 
SEARCH MOVIES / CELEB

Advanced Search

 
 
© 1997-2012 Combustible Celluloid



That Man: Peter Berlin (2006)

Rating: 3 Stars (out of 4)

The 'Berlin' Affair

By Jeffrey M. Anderson

Buy Posters at AllPosters.com

Many recent celebrities have achieved fame simply by appearing on television, whether they're competing on a reality show, pretending to be a singer or simply doing nothing at all (Paris Hilton).

At the same time, real performers -- the ones with talent -- have their every move scrutinized by endless chat shows and so-called "news" programs.

Though it's difficult to see now, building a cult of celebrity can still sometimes be an art in itself. That's where Peter Berlin comes in, a canny cult figure who created his image by using many tried and true methods, as well as inventing a few new ones.

A fascinating new documentary about him, That Man: Peter Berlin, opens today at the Castro Theater in San Francisco.

Born Armin von Hoyningen-Huene in Germany, Mr. Berlin is most closely associated with San Francisco, his current home. During the 1970s and 1980s, he created a series of photographs -- as well as a couple of porn movies -- depicting himself as a new kind of pinup.

Showing off his stunningly chiseled physique and sporting a blonde "Dutch boy" haircut that seemed out of its time, Berlin became something of a cartoon mascot for the gay lifestyle, though his slightly androgynous looks make him appealing to nearly any eye, regardless of sex or orientation.

He would gaze blankly at the camera, lips slightly parted, suggesting sexual ecstasy or perhaps simply mild interest. He sometimes appeared nude, but mainly his pictures teased at near-nudity, much like the early Betty Grable pinups of WWII. It was this unreadable expression, this near-gesture, that made Berlin so captivating and so alluring.

One interviewee in That Man says that Berlin's photos gave him the idea that all gay culture would be like this; what a letdown to discover that it was more like real life.

In That Man, filmmaker Jim Tushinksi sits down with the real Berlin, now in his 60s but looking much the same. He apparently still goes out walking on the streets of San Francisco, just like he did in his heyday, dressed in tight jeans and with his white bangs covering his eyes. He still turns heads.

Like Woody Allen or Greta Garbo, we learn that Berlin was happy to let the images do the talking for him. He was photographed by Andy Warhol and drawn by Tom of Finland. But in real life, he disliked company and was bored by business arrangements and having to hustle his pictures to make a living.

Human contact was not important to him; ironically, many of his double-exposed photos showed two Peter Berlins side-by-side, as if Peter Berlin were the only man Peter Berlin could love. Even in a clip from his porn films he tells a potential sex partner that he'd rather be alone.

In an interview, Armistead Maupin (Tales of the City) tells a story about meeting Mr. Berlin at a party. Not long after, Maupin spotted Mr. Berlin posing near a tree by the beach. He said hello, but Mr. Berlin simply ignored him. Maupin likens the incident to speaking to the actor inside a Minnie Mouse costume at Disneyland.

In other interviews, writers, porn stars, cultural scholars offer their insights and opinions on Mr. Berlin, but each of these only serves to further his mysterious icon status. With his unique outlook on pop culture, filmmaker John Waters (Pink Flamingos, A Dirty Shame) chimes in and comes closest to dissecting the real Berlin.

Only when Tushinksi steers toward the topic of Mr. Berlin's lifelong mate, Rob, does the film begin to get personal.

All through the 1970s and 80s, Mr. Berlin generally steered clear of actual sex; he liked to tease and to titillate a great deal more, and he subsequently avoided the deadly HIV/AIDS virus that slowly emerged during that time. Unfortunately, the same could not be said for Mr. Berlin's late partner. In discussing him, Mr. Berlin puts on a nonchalant face, but it's clear enough how deeply the loss affected him.

The bar for personal documentaries about living subjects is still Terry Zwigoff's Crumb (1995), and though "That Man: Peter Berlin" doesn't quite get that high, it does pull off one seemingly impossible task. Taking a subject this self-obsessed, Tushinksi still manages to portray Mr. Berlin in a flattering light.

We come away liking him. Indeed, a great celebrity has the ability to do just that: to seemingly give you everything you want and yet give you nothing at all.

Starring: Peter Berlin, Armistead Maupin, John Waters, Wakefield Poole, Rick Castro, Dan Nicoletta, Jack Wrangler, Robert Boulanger, Guy Clark, John F. Karr, Robert W. Richards
Written by: n/a
Directed by: Jim Tushinksi
MPAA Rating: Unrated (but contains some adult images)
Running Time: 80 minutes
Date: February 17, 2006

Home
New Movies
New DVDs & Blu-Ray
Features
News
Search Reviews
Classic Movies
Film Books
Gallery
Links
About
Contact
All scribblings © 1997-2012 Combustible Celluloid