Combustible Celluloid


New movie reviews, DVD reviews, interviews, and all things film.




Home
Reviews A-C
Reviews D-F
Reviews G-J
Reviews K-M
Reviews N-Q
Reviews R-T
Reviews U-Z
 




The Animation Show 4 ***
Gonzo: The Life and Work of Dr. Hunter S. Thompson ***1/2
Hancock **1/2
Kit Kittredge: An American Girl **1/2
Quid Pro Quo ***
The Wackness **1/2
The Castro Theatre's 70mm Festival 2008
More
 




Drillbit Taylor
Identification of a Woman (Import)
Shotgun Stories
A Throw of Dice
Vantage Point
More
 

Film Features

Brad Anderson
Scarlett Johansson: Anywhere I Lay My Head [CD Review]
Don Cheadle at CineVegas
Abel Ferrara at CineVegas
Tina Sinatra
My Top 100 Films [Updated]
My Top 60 Directors [Updated]
Charlton Heston (1924-2008)
Scott B. Smith
Estelle Parsons
Roger Donaldson
Roy Scheider (1932-2008)Mike Binder
James McAvoy
Tony Gilroy
David Cronenberg & Viggo Mortensen
William Friedkin
Peter Fonda & James Mangold
Kasi Lemmons on Talk to Me
Steve Buscemi on Interview
Lynn Hershman-Leeson
Edgar Wright, Simon Pegg & Nick Frost on Hot Fuzz
Scott Frank, Joseph Gordon-Levitt & Matthew Goode
The Top 50 Movies of the Past Ten Years (1997-2006)
Bong Joon-ho, director of The Host
Mark Polish, Michael Polish & Billy Bob Thornton
My latest blog entries at cinematical.com
The 'Mexican New Wave'
Interview with Singaporian Filmmaker Djinn
Joe Carnahan & Jeremy Piven Interview
Terry Zwigoff on the new Bad Santa Director's Cut
Alfonso Cuarón Interview
Guillermo Del Toro Interview
Chris Noonan Interview
Robert Altman (1925-2006)
Scarlett Johansson: A Study in Scarlett
Christmas Movies
Combustible Celluloid's Big Guide to Halloween & Horror Movies
Joe Eszterhas
Jet Li
Zach Braff
Kirby Dick
James Ellroy
Dwayne 'The Rock' Johnson
Adrien Brody
Steve Irwin (1962-2006)
Elisha Cuthbert/Jamie Babbit
Matt Dillon
David R. Ellis
Maria Bello
Brian O'Halloran and Jeff Anderson
Mickey Spillane (1918-2006)
Al Gore
Cult Movies
Actress Interview Gallery
The Top 100
More Features and Interviews
 

Film Books

Not Quite a Memoir: Of Films, Books, the World, by Judy Stone
James Agee: The Library of America Collection, by James Agee
Just Making Movies, by Ronald L. Davis
Guide to Essential Movies, by Joe Leydon
Cecil B. DeMille's Hollywood, by Robert S. Birchard
Profoundly Disturbing, by Joe Bob Briggs
A Third Face, by Samuel Fuller
Dark Lover, by Emily Leider
Agee on Film, by James Agee
Lulu in Hollywood, by Louise Brooks
Negative Space, by Manny Farber
5001 Nights at the Movies, by Pauline Kael
More Books
 

The online film magazine Combustible Celluloid offers new movie reviews, DVD reviews, film reviews, actor interviews, actress interviews, director interviews, film books and all things cinema related for the thoughtful and passionate. Online for ten years! Over 3000 reviews!

 
Sign up for my weekly newsletter!
 
About
Lists
Gallery
News
Links

E-mail me.
 
© 1997-2008 Combustible Celluloid



Crumb (1995)

Rating: 4 Stars (out of 4)

Art from the Heart

By Jeffrey M. Anderson

Buy Crumb on DVD

I am writing this the following morning after seeing it, and I have dreamt about Crumb all night. The documentary about cartoonist Robert Crumb and his two brothers by filmmaker and friend Terry Zwigoff is one of the most brave and honest films I've ever seen. To me, a great documentary is one in which, no matter how brutal or tragic, we feel lucky that the subject has been captured and saved on film to be looked at and experienced forever.

R. Crumb is a comic book artist who seems entirely uninhibited and able to touch his subconscious and draw it on paper with frightening clarity. Of course, this style of art doesn't mesh with the idea of the superclean nuclear family that Crumb's parents attempted to raise him in, or with the mainstream's idea that art should be something that guides us toward a utopia. In the world of Crumb, a plumbing of the soul for others to experience is true art.

But R. Crumb doesn't seem aware of any of this. As he says in the film's opening, "I get depressed if I don't draw for a long time, but then sometimes I get depressed if I do draw." He is a man who is incapable of doing anything but the most honest, direct work. At one point we see him on the phone with some Hollywood sleazeoids trying to strike a deal for a movie based on one of his characters, Mr. Natural. Although he might make a lot of money on the deal, he turns it down because he thinks it would be crap. To give Mr. Natural animated life would be pointless without Crumb's psyche driving him.

The film turns frightening when it explores Robert's two brothers Maxon and Charles. Charles was the driving force behind the family home-published comic book, "Arcade." R. looked up to Charles, whom he believed to be much more talented than himself, and still does. The camera shows us examples of Charles' early work, obsessed with a young actor who played the boy in Disney's Treasure Island. Works of later years show an eerie and bizarre "wrinkle effect" in the drawings that gave me the chills. Clearly the work of an unhinged mind. Maxon, who still lives and begs on the streets of San Francisco, is a painter of great talent, but not without the frightening clarity of his brothers. Clearly, R. is the one in the family who "escaped" to make a career out of art. But he didn't really escape. He continues to need to draw to purge his demons. If not for his art, he may have been dead or insane by now.

The movie brings to light the question of where great art comes from. (Accept for the sake of argument, comic books as art.) Is it necessary to suffer so, to live such a tortured and awful life to be a great and true artist? Yes it is, the movie seems to say, if that's what it takes to break through to people's true feelings. But Crumb's art isn't "comfortable" to people. He scares people because they relate somewhere deep inside themselves to what Crumb has boldly put on paper. Frank Zappa has said that when it comes to art, "America is the most chickenshit country in the world." In the past, young artists have emulated the great artists that came before them, but in Crumb's case, do we really want to go where he is?

This is not to say that the movie is not entertaining. For such a recluse, R. Crumb is a funny and interesting subject. His wry way of looking at things is a welcome breath of life.

Rarely has there ever been a work as great as Crumb, an achievement resting on both Zwigoff's talent and grace and on the enigma and poetry of its subject.

DVD Details: Sony Pictures Classics has released a wonderful new (2006), remastered DVD to make up for the spotty, original release. It hasn't lost a jot of its power. But I was also surprised how warm the film is for all its fearlessness and depth. Zwigoff and Roger Ebert team up for a very entertaining, and even slightly touching commentary track, and the disc contains a "preview" (one scene) from Zwigoff's latest film, Art School Confidential.

Starring: Robert Crumb (R. Crumb), Charles Crumb, Maxon Crumb, Aline Kominsky, Sophie Crumb
Written by: n/a
Directed by: Terry Zwigoff
MPAA Rating: R
Running Time: 119 minutes
Date: April 28, 1995

Home
News
Search Reviews
Classic Movies
DVDs
Features
Film Books
Gallery
Links
About
The Rating System
Email Me
All scribblings © 1997-2007 Combustible Celluloid