|
New movie reviews, DVD reviews, interviews, and all things film.
Reviews A-C Reviews D-F Reviews G-J Reviews K-M Reviews N-Q Reviews R-T Reviews U-Z CSNY Déjà Vu ***1/2 My Winnipeg ***1/2 Roman Polanski: Wanted and Desired **1/2 Step Brothers *** The Unknown Woman *** [wider] The Wackness **1/2 [wider] The X-Files: I Want to Believe **1/2 More The Bank Job Flakes Heathers: 20th Anniversary Edition My Blueberry Nights Sex and Death 101 Shutter: Unrated The Year My Parents Went on Vacation You, the Living (Import) More Emily Mortimer Brad Anderson Scarlett Johansson: Anywhere I Lay My Head [CD Review] Don Cheadle at CineVegas Abel Ferrara at CineVegas Tina Sinatra My Top 100 Films [Updated] My Top 60 Directors [Updated] Charlton Heston (1924-2008) Scott B. Smith Estelle Parsons Roger Donaldson Roy Scheider (1932-2008) Mike Binder James McAvoy Tony Gilroy David Cronenberg & Viggo Mortensen William Friedkin Peter Fonda & James Mangold Kasi Lemmons on Talk to Me Steve Buscemi on Interview Lynn Hershman-Leeson Edgar Wright, Simon Pegg & Nick Frost on Hot Fuzz Scott Frank, Joseph Gordon-Levitt & Matthew Goode The Top 50 Movies of the Past Ten Years (1997-2006) Bong Joon-ho, director of The Host Mark Polish, Michael Polish & Billy Bob Thornton The 'Mexican New Wave' Interview with Singaporian Filmmaker Djinn Joe Carnahan & Jeremy Piven Interview Terry Zwigoff on the new Bad Santa Director's Cut Alfonso Cuarón Interview Guillermo Del Toro Interview Chris Noonan Interview Robert Altman (1925-2006) Scarlett Johansson: A Study in Scarlett Christmas Movies Combustible Celluloid's Big Guide to Halloween & Horror Movies Joe Eszterhas Jet Li Zach Braff Kirby Dick James Ellroy Dwayne 'The Rock' Johnson Adrien Brody Steve Irwin (1962-2006) Elisha Cuthbert/Jamie Babbit Matt Dillon David R. Ellis Maria Bello Brian O'Halloran and Jeff Anderson Mickey Spillane (1918-2006) Al Gore Cult Movies Actress Interview Gallery The Top 100 More Features and Interviews James Agee: The Library of America Collection, by James Agee Just Making Movies, by Ronald L. Davis Guide to Essential Movies, by Joe Leydon Cecil B. DeMille's Hollywood, by Robert S. Birchard Profoundly Disturbing, by Joe Bob Briggs A Third Face, by Samuel Fuller Dark Lover, by Emily Leider Agee on Film, by James Agee Lulu in Hollywood, by Louise Brooks Negative Space, by Manny Farber 5001 Nights at the Movies, by Pauline Kael More Books The online film magazine Combustible Celluloid offers new movie reviews, DVD reviews, film reviews, actor interviews, actress interviews, director interviews, film books and all things cinema related for the thoughtful and passionate. Online for ten years! Over 3000 reviews! Sign up for my weekly newsletter! About Lists Gallery News Links E-mail me. |
Shanghai Express (1932)Rating: 3 1/2 Stars (out of 4)Lily's PadBy Jeffrey M. Anderson
Shanghai Express is the fourth of the seven. It concerns a prostitute named Shanghai Lily and a throng of other characters traveling on a train from Peking to Shanghai during a Chinese civil war. One of the characters is an English military doctor who was a former love of Lily's. The train must stop several times, if not for animals blocking the tracks, then for soldiers to search the train for rebel spies. At one point, a spy captures them and holds the doctor hostage. Lily must then decide whether to take action or save herself. Both Shanghai Lily and Marlene Dietrich herself were marvelous creations. In this movie, she is not called a "prostitute," but rather a "woman who lives by her wits." And Dietrich has plenty of those. She's lovely, flirtatious and very dangerous. She's like that snake crawling across Nastassja Kinski's body in that famous photo, very slinky, daring you to touch, but deadly. All the men in the movie cast an eye her way, and her legend is built up. At one point, a priest tells the doctor about how he's just spent the last several weeks treating one of Lily's "victims." Although Sternberg was working on a sound stage, he makes China seem claustrophobic, dirty and exotic. Most other studio films of this period were simply still trying to accommodate the primitive sound equipment. Sternberg's sets, such as the train and the Chinese spy's headquarters, are dressed in interesting exotic ways, but humble, not lavish. The film feels real, not sanitized. The imagination is key, and the movie has lots of eye candy. I had a bit of trouble with the movie's ending. It seemed a little rushed, a little false. But Shanghai Express is a fine entertainment, gorgeous, exotic, and sensual. Starring: Marlene Dietrich, Clive Brook, Anna May Wong, Warner Oland, Eugene Pallette, Lawrence Grant, Louise Closser Hale, Gustav von Seyffertitz, Emile Chautard |
| Home |
News |
Search Reviews |
Classic Movies |
DVDs |
Features |
Film Books |
Gallery |
Links |
About |
The Rating System |
Email Me |