Combustible Celluloid


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Dark Shadows ***
Darling Companion **1/2
God Bless America ***
Marvel's The Avengers ***1/2
ReGeneration ***
Sound of My Voice ***
The Pirates! Band of Misfits ***1/2
The Raven ***
Safe **1/2
The Lucky One 1/2*
4:44 Last Day on Earth **1/2
Blue Like Jazz **
The Cabin in the Woods ***1/2
Damsels in Distress ***1/2
Lockout **1/2
The Three Stooges ***
The Turin Horse ****
We Have a Pope **1/2
American Reunion **
Goon ***
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Bird of Paradise
Maniac Cop
Miss Representation
Mother's Day (2012)
Murder Obsession
Tim and Eric's Billion Dollar Movie
Underworld Awakening
The Vow
Clueless
Haywire
Hit!
Men in Black
New Year's Eve
The Red House
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Film Features

Peter Lord
Abel Ferrara
Nicholas Sparks
Whit Stillman
Sean Hayes
Terence Davies
Peter Lord Interview
Juan Carlos Fresnadillo
Taika Waititi
Will Ferrell
Interview: Ewan McGregor [SF Examiner]
Interview: the 'Project X' stars [SF Examiner]
Interview: Oren Moverman
Interview: Rachel McAdams
Interview: Ti West
Interview: Elizabeth Banks
2011: The Year's Best Films
Year's Best DVDs and Blu-Rays
San Francisco Film Critics Circle Awards
The Decade's Ten Best Films: 2000-2009
My Top 100 Films [Updated]
My Top 60 Directors [Updated]
Christmas Movies
Essential Halloween & Horror Movies
Cult Movies
More Features and Interviews
 

Film Books

Have Yourself a Movie Little Christmas, by Alonso Duralde
Not Quite a Memoir: Of Films, Books, the World, by Judy Stone
James Agee: The Library of America Collection, by James Agee
Just Making Movies, by Ronald L. Davis
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The online film magazine Combustible Celluloid offers new movie reviews, DVD reviews, film reviews, actor interviews, actress interviews, director interviews, film books and all things cinema related for the thoughtful and passionate. Online for ten years! Over 3000 reviews!

 
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© 1997-2012 Combustible Celluloid



Picture, by Lillian Ross

The Devil's Candy, by Julie Salamon

Review by Jeffrey M. Anderson

Buy Picture, by Lillian Ross

Buy The Devil's Candy, by Julie Salamon

Back when John Huston made The Red Badge of Courage in 1951, Lillian Ross was assigned to cover the production every step of the way. The movie turned out to be a disaster, and the book a masterpiece. (Huston comes out looking good anyway--blaming everyone else for the troubled production.) Forty years later, Julie Salamon decided to do the same thing, covering Brian De Palma's 1990 production of The Bonfire of the Vanities. The same thing happened -- a disaster movie, but a great book. It makes you wonder if journalists are bad luck to movie productions. Both books provide a look at what movie productions are really like in a worst-case scenario. If you still want to make movies after reading these, you must have destiny on your side.

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