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Interview with Joe EszterhasBeating the DevilBy Jeffrey M. Anderson
Buy The Devil's Guide to Hollywood.
A: Because I have to. I hear voices and I see images and I see stories unfolding inside my head. And when one desperately wants to come out, I have no choice. Q: What are you reading right now and why? A: I brought a James Ellroy that I'd read before called My Dark Places. I read an interview with him and I realized how much I like him as a writer. I've never claimed to be normal, but I suspect that Ellroy may be less so than I am. Q: There's a scene in your autobiographical movie Telling Lies in America in which one character debunks the myth of George Washington. Is that what you're doing with this book? A: Yeah I am. The first part of the title is a reference to The Devil's Dictionary by Ambrose Bierce. I laughed my head off when I read that. When I started thinking of the tone of this one I thought that was perfect. The second part of the title of course comes from the fact that screenwriters have been screwed over for so many years; I thought it would be funny to say that the screenwriter is God. You have to understand that the book is hyperbolic. Q: What is your writing schedule like? A: I'm very intense with it. I start working in the morning, I break for lunch; I go back to it in the afternoon. In the later afternoon, I walk five miles and I spend the rest of the day with the kids and [my wife] Naomi. Sometimes I get up in the middle of the night if it gets too intense. It's like I'm hearing voices. I wrote Basic Instinct in 10 days. I heard these voices in my head and I was literally striving to keep up with the voices. Usually I write a rough draft with a pen and paper, or a manual typewriter. I have this collection of manual typewriters. I have about a dozen of them left; I pound the keys with two fingers. After a couple of scripts they fall to pieces.
September 18, 2006 |
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