Combustible Celluloid


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Redbelt **1/2
Roman de gare **1/2
Son of Rambow **1/2
Speed Racer [review coming soon]
Still Life ****
Iron Man ***
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A Collection of 2007 Academy Award Nominated Short Films
The Hottie and the Nottie
I'm Not There
Over Her Dead Body
Paddle to the Sea
The Red Balloon
Silent Ozu: Three Family Comedies (Criterion Eclipse #10)
Teeth
Twister: Special Edition
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My Top 100 Films [Updated]
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Charlton Heston (1924-2008)
Scott B. Smith
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Kasi Lemmons on Talk to Me
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The Top 50 Movies of the Past Ten Years (1997-2006)
Bong Joon-ho, director of The Host
Mark Polish, Michael Polish & Billy Bob Thornton
My latest blog entries at cinematical.com
The 'Mexican New Wave'
Interview with Singaporian Filmmaker Djinn
Joe Carnahan & Jeremy Piven Interview
Terry Zwigoff on the new Bad Santa Director's Cut
Alfonso Cuarón Interview
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Robert Altman (1925-2006)
Scarlett Johansson: A Study in Scarlett
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Combustible Celluloid's Big Guide to Halloween & Horror Movies
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Film Books

Not Quite a Memoir: Of Films, Books, the World, by Judy Stone
James Agee: The Library of America Collection, by James Agee
Just Making Movies, by Ronald L. Davis
Guide to Essential Movies, by Joe Leydon
Cecil B. DeMille's Hollywood, by Robert S. Birchard
Profoundly Disturbing, by Joe Bob Briggs
A Third Face, by Samuel Fuller
Dark Lover, by Emily Leider
Agee on Film, by James Agee
Lulu in Hollywood, by Louise Brooks
Negative Space, by Manny Farber
5001 Nights at the Movies, by Pauline Kael
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The online film magazine Combustible Celluloid offers new movie reviews, DVD reviews, film reviews, actor interviews, actress interviews, director interviews, film books and all things cinema related for the thoughtful and passionate. Online for ten years! Over 3000 reviews!

 
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© 1997-2008 Combustible Celluloid



Interview with Joe Eszterhas

Beating the Devil

By Jeffrey M. Anderson

Buy The Devil's Guide to Hollywood.

Joe Eszterhas is the legendary, notorious screenwriter of films such as Basic Instinct (1992), Sliver (1993) and Showgirls (1995). A former journalist for the Cleveland Plain Dealer and Rolling Stone magazine, he has published several non-fiction books, including Charlie Simpson's Apocalypse (1974), American Rhapsody (2000), and Hollywood Animal (2004). His latest book is The Devil's Guide to Hollywood: The Screenwriter As God (St. Martin's Press).

Q: Why do you write?

A: Because I have to. I hear voices and I see images and I see stories unfolding inside my head. And when one desperately wants to come out, I have no choice.

Q: What are you reading right now and why?

A: I brought a James Ellroy that I'd read before called My Dark Places. I read an interview with him and I realized how much I like him as a writer. I've never claimed to be normal, but I suspect that Ellroy may be less so than I am.

Q: There's a scene in your autobiographical movie Telling Lies in America in which one character debunks the myth of George Washington. Is that what you're doing with this book?

A: Yeah I am. The first part of the title is a reference to The Devil's Dictionary by Ambrose Bierce. I laughed my head off when I read that. When I started thinking of the tone of this one I thought that was perfect. The second part of the title of course comes from the fact that screenwriters have been screwed over for so many years; I thought it would be funny to say that the screenwriter is God. You have to understand that the book is hyperbolic.

Q: What is your writing schedule like?

A: I'm very intense with it. I start working in the morning, I break for lunch; I go back to it in the afternoon. In the later afternoon, I walk five miles and I spend the rest of the day with the kids and [my wife] Naomi. Sometimes I get up in the middle of the night if it gets too intense. It's like I'm hearing voices. I wrote Basic Instinct in 10 days. I heard these voices in my head and I was literally striving to keep up with the voices. Usually I write a rough draft with a pen and paper, or a manual typewriter. I have this collection of manual typewriters. I have about a dozen of them left; I pound the keys with two fingers. After a couple of scripts they fall to pieces.

JOE ESZTERHAS
Age: 62
Birthplace: Csakanydoroszlo, Hungary
Education: Ohio University
Favorite song/piece of music: "Sympathy for the Devil," by the Rolling Stones
Biggest literary inspiration, author: William Faulkner or Tennessee Williams
Biggest literary inspiration, book: The Sound and the Fury, by William Faulkner or East of Eden, by John Steinbeck
Most memorable book from my childhood: Michael Strogoff, by Jules Verne
Book re-read most often: All the King's Men, by Robert Penn Warren
If I could only retain one book on a desert island, it would be: The Bible
Book I've read lately I'd recommend most: No Country for Old Men, by Cormac McCarthy
Most meaningful line from any book or poem: "Rage, rage against the dying of the light." - Dylan Thomas

September 18, 2006

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