Combustible Celluloid


New movie reviews, DVD reviews, interviews, and all things film.

 
Home | Archive | About | Cinematical.com | Lists | News | Links | E-mail me | Sign up for my weekly newsletter!  
 



Ajami ***
Green Zone **1/2
Remember Me **1/2
She's Out of My League ***
2009 Oscars
More
 




Blank Generation
The Box
Capitalism: A Love Story
Precious: Based on the Novel Push by Sapphire
Tell Them Anything You Want: A Portrait of Maurice Sendak
Undead: The Vampire Collection
Up in the Air
The 25 Best DVDs of 2009
More
 

Film Features

2009: The Year's Ten Best Films
The Decade's Ten Best Films: 2000-2009
My 2003 Interview with Brittany Murphy
San Francisco Film Critics Circle Awards 2009
Richard Linklater
John Woo
Jared and Jerusha Hess
Essential Halloween Movies
Michael Stuhlbarg
Jane Campion
Bobcat Goldthwait
Hugh Dancy
Kathryn Bigelow
Willem Dafoe: The 2009 CineVegas Interview
David Carradine
A 2002 Interview with Edward Asner
Vinessa Shaw
Henry Selick
2008: The Year's Ten Best Films
The San Francisco Film Critics Circle Awards 2008
The 25 Best DVDs of 2008
Bruce Campbell
Darren Aronofsky and Marisa Tomei
Josh Brolin
A Tribute to Paul Newman
Steve Coogan on Hamlet 2
Manny Farber (1917-2008)
Bernie Mac (1957-2008)
Emily Mortimer
Brad Anderson
Don Cheadle at CineVegas
Abel Ferrara at CineVegas
Tina Sinatra
My Top 100 Films [Updated]
My Top 60 Directors [Updated]
The Top 50 Movies of the Past Ten Years (1997-2006)
Terry Zwigoff on the new Bad Santa Director's Cut
Alfonso Cuarón Interview
Guillermo Del Toro Interview
Christmas Movies
Combustible Celluloid's Big Guide to Halloween & Horror Movies
Cult Movies
Actress Interview Gallery
The Top 100
More Features and Interviews
 

Film Books

Not Quite a Memoir: Of Films, Books, the World, by Judy Stone
James Agee: The Library of America Collection, by James Agee
Just Making Movies, by Ronald L. Davis
Guide to Essential Movies, by Joe Leydon
Cecil B. DeMille's Hollywood, by Robert S. Birchard
Profoundly Disturbing, by Joe Bob Briggs
A Third Face, by Samuel Fuller
Dark Lover, by Emily Leider
Agee on Film, by James Agee
Lulu in Hollywood, by Louise Brooks
Negative Space, by Manny Farber
5001 Nights at the Movies, by Pauline Kael
More Books
 



Home
Reviews A-C
Reviews D-F
Reviews G-J
Reviews K-M
Reviews N-Q
Reviews R-T
Reviews U-Z
 

The online film magazine Combustible Celluloid offers new movie reviews, DVD reviews, film reviews, actor interviews, actress interviews, director interviews, film books and all things cinema related for the thoughtful and passionate. Online for ten years! Over 3000 reviews!

 
SEARCH MOVIES / CELEB

Advanced Search

 
© 1997-2009 Combustible Celluloid



The Lord of the Rings: The Fellowship of the Ring (2001)

Rating: 3 Stars (out of 4)

Catching It on the First 'Ring'

By Jeffrey M. Anderson

Buy The Lord of the Rings: The Fellowship of the Ring - Extended Edition on DVD.

The toughest job a filmmaker can take on is translating a beloved novel to the screen: you're torn between being completely faithful and showing your own vision.

Whereas Chris Columbus made Harry Potter and the Sorcerer's Stone with no directorial personality whatsoever, the new The Lord of the Rings: The Fellowship of the Ring was helmed by the far more interesting Peter Jackson, who made the 1994 masterpiece Heavenly Creatures and the raunchy B-movies Bad Taste and Dead-Alive. Rather than delivering a faceless product, Jackson imbues his personal signature on the fantasy epic, while still sticking close to the source.

Clocking in at three hours, The Fellowship of the Ring presents only the first book of J.R.R. Tolkein's trilogy, which means that the whole trilogy may run something like nine hours. The second and third movies will be released at Christmas of 2002 and 2003, respectively.

That also means that the story we're getting here is far from over. Fans who remember The Empire Strikes Back (1980) ending with many of its issues unsolved -- and feeling the anguish of having to wait three more years for the sequel -- will know how it feels. It's doubly frustrating here because when The Fellowship of the Ring is over, it feels like it's just beginning.

Nonetheless, we make do with what we're given, and this "Part One" does the job admirably. It begins in Middle Earth with Bilbo Baggins (Ian Holm) celebrating his 111th birthday, the same day his nephew Frodo (Elijah Wood) celebrates his 33rd. Bilbo feels the call of the road once again and uses his ring -- stolen from Gollum during the precursor of the series, "The Hobbit" -- to suddenly "disappear." (It renders its wearer invisible.) He departs, leaving the ring to Frodo for safekeeping. But it's only after he's gone that the wizard Gandalf (Ian McKellen) learns the origin of the ring and its destructive power -- and that its true owner, a Dark Lord named Sauron, wants to get it back.

Frodo sets out with his friend Sam Gamgee (Sean Astin) to destroy the ring in the fires of Mt. Doom, where it was forged. They're later joined by a team made up of other hobbits: Merry (Dominic Monaghan) and Pippin (Billy Boyd), humans: Aragorn (Viggo Mortensen) and Boromir (Sean Bean), an elf called Legolas (Orlando Bloom) and a dwarf named Gimli (John Rhys-Davies).

But dark forces trail the Fellowship wherever they go, and the film becomes a series of chases, fights, and rests. They encounter an assortment of evil beasties as well as good elves like Arwen Undómiel (Liv Tyler) and Galadriel (Cate Blanchett) who lend them a hand. And legendary horror film actor Christopher Lee (The Wicker Man) chomps up some scenery as the evil wizard Saruman (whose name sounds a little like Sauron, just to confuse things).

Not everything holds up to close scrutiny. For example, if the evil "ring wraiths," undead beasties who ride the countryside looking for the ring, never rest and possess unearthly powers, how can they be fooled by the simple tricks the hobbits play to divert them? Why do these baddies even stop at all to let the heroes rest when they obviously don't have to?

In addition, I was not impressed by the quality of the CGI monsters, though Jackson does his best to smooth the awkward computer creations into his grayish landscape. During one scene, characters jump onto one monster's back to attack it from behind. Since you can't have a real person riding on top of a fake monster, the people become computer generated as well -- and it all looks too fluid and fake.

However, I was extremely impressed by the makeup and sizing effects, making humans look like dwarves and hobbits. I have no idea how the early sequence with little Bilbo and big Gandalf was filmed. I assume Ian McKellen and Ian Holm are about the same size -- maybe a few inches difference -- but in the film Gandalf towers several feet over Bilbo with no seams showing. Beautiful.

Moreover, the astonishing set designs constantly overwhelmed me, and though most of them were computer-rendered, it made no difference. One gorgeous shot has the Fellowship floating down a river and passing between two enormous statues. The camera pans up and we see dozens of tiny birds bursting out of one statue's giant eye socket. This is how CGI should be used.

Going back to Jackson, he's a director who boasts an extremely dark sense of humor and sleek visuals, and he happily allows his personality to show more than a few times. During one shot, Bilbo makes a sudden grab for the ring hanging on a chain around Frodo's neck, and I jumped out of my seat. And a particularly horrific monster that lives in the water outside the Dwarf caves demonstrates a Jackson sensibility by timing its attack just perfectly. Little moments like these allow the film to come alive and take it away from what might have been an assembly line feel.

Most importantly, Jackson and his writers create a real world with its own logic and they never betray that by pandering to us. It's an accomplished movie for everyone who ever longed to hit the road and welcomed adventure in all its forms. I just wish there was a way to see the whole thing right now...

(See also: The Lord of the Rings: The Two Towers and The Lord of the Rings: The Return of the King.)

DVD Details: (Extended Edition) New Line really pulled a fast one on us by releasing the theatrical edition a couple of months ago, waiting until millions of units moved out the door, and then announcing this expanded edition with some 40 minutes of new footage edited into the movie, plus four massive commentary tracks and more mini-documentaries than any human being can watch at one time. Die-hard fans will find the extra footage essential but casual fans can rest easy with the three-hour theatrical version.

DVD Details: (Theatrical Version) New Line's great two-disc set (make sure to specify the widescreen version) comes with plenty of extras. I watched it a second time and found myself liking it even more. But now New Line apparently has a longer version coming soon, making this one obsolete. If you've already spent your $30, you're certainly not alone.

Starring: Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Hugo Weaving, Sean Bean, Ian Holm, Andy Serkis
Written by: Peter Jackson, Fran Walsh and Philippa Boyens, based on the novels by J.R.R. Tolkien
Directed by: Peter Jackson
MPAA Rating: PG-13 for epic battle sequences and some scary images
Running Time: 178/208 minutes
Date: July 3, 2003

This review also appeared in The San Francisco Examiner.

Home
News
Search Reviews
Classic Movies
DVDs
Features
Film Books
Gallery
Links
About
The Rating System
Email Me
All scribblings © 1997-2010 Combustible Celluloid