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Ajami ***
The Girl on the Train ***
Greenberg **1/2
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Repo Men **1/2
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Armored
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Dillinger Is Dead
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The Decade's Ten Best Films: 2000-2009
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San Francisco Film Critics Circle Awards 2009
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Essential Halloween Movies
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Willem Dafoe: The 2009 CineVegas Interview
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Henry Selick
2008: The Year's Ten Best Films
The San Francisco Film Critics Circle Awards 2008
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Darren Aronofsky and Marisa Tomei
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A Tribute to Paul Newman
Steve Coogan on Hamlet 2
Manny Farber (1917-2008)
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Don Cheadle at CineVegas
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Terry Zwigoff on the new Bad Santa Director's Cut
Alfonso Cuarón Interview
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Just Making Movies, by Ronald L. Davis
Guide to Essential Movies, by Joe Leydon
Cecil B. DeMille's Hollywood, by Robert S. Birchard
Profoundly Disturbing, by Joe Bob Briggs
A Third Face, by Samuel Fuller
Dark Lover, by Emily Leider
Agee on Film, by James Agee
Lulu in Hollywood, by Louise Brooks
Negative Space, by Manny Farber
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The online film magazine Combustible Celluloid offers new movie reviews, DVD reviews, film reviews, actor interviews, actress interviews, director interviews, film books and all things cinema related for the thoughtful and passionate. Online for ten years! Over 3000 reviews!

 
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How I Made a Hundred Movies in Hollywood and Never Lost a Dime, by Roger Corman

Review by Jeffrey M. Anderson

Buy How I Made a Hundred Movies in Hollywood and Never Lost a Dime, by Roger Corman

Other filmmakers like Orson Welles, D.W. Griffith, and Alfred Hitchcock have been stylistically influential to younger filmmakers, but Roger Corman has been influential in a more concrete sense. He's a savvy businessman and possesses a keen eye for talent. This autobiography not only tells the stories behind such B-movie classics as The Little Shop of Horrors, The Masque of the Red Death, The Intruder, and Creature from the Haunted Sea, but tells the story of how Corman launched the careers of actor Jack Nicholson, directors Francis Ford Coppola, Jonathan Demme, James Cameron, and Ron Howard, screenwriter Robert Towne, and producer Jon Davidson, as well as many others. Although his story is inspiring, this book has its faults. Corman is more than a little pleased with himself, and the book lacks any kind of index or filmmography to help the reader keep track of his phenomenal career as a director/producer. But any book on Corman is worth reading, and this is the best one so far.

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