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Popeye the Sailor 1933-1938 Volume 1 (2007)Rating: 4 Stars (out of 4)Spinach SaladBy Jeffrey M. Anderson Buy Popeye the Sailor 1933-1938 Volume 1 on DVD
During the silent era and in the 1930s, the Fleischers gave
Walt Disney a run for his money with their innovative "Out of the
Inkwell" series (with Koko the Clown) and their twisted, surreal Betty
Boop cartoons. The Popeye cartoons, notably the double-length, full-color
extravaganzas Popeye the Sailor Meets Sindbad the Sailor (1936) and Popeye the Sailor Meets Ali
Baba's Forty Thieves (1937) easily stack up
against Disney's more celebrated efforts of the same period (The Old
Mill, Snow White and the Seven
Dwarfs, etc.). But that should not diminish
the greatness of the shorter, more regular films, especially the brilliant A
Dream Walking (1934) with its astonishing
use of perspective and timing. It's surprising how few clunkers are here; each
cartoon is as brilliant as the last. Born in the comic strips ("Thimble Theater," by
E.C. Segar) and making the leap to the big screen via a Betty Boop cartoon, Popeye
the Sailor (1933), Popeye is arguably the
most popular human (i.e. non-animal) cartoon character of all time. His
exploits have somehow transcended time, even into a politically correct era in
which violence and smoking (that corncob pipe) are frowned upon. (Although most
mothers probably still use Popeye to coax little ones to eat their spinach.)
It's difficult to measure exactly why it works; perhaps it has to do with
Popeye's gruff sense of goodness and his ability to stand up to the
ever-present bully Bluto. Or perhaps it's because all of the characters are a
little cockeyed: Popeye (voiced by Jack Mercer, who also co-wrote some of the
stories) often mutters the funniest lines under his breath; Olive Oyl (voiced
by Mae Questel) can be just as fickle and abrasive as she is sweet; and Bluto
(voiced by Gus Wickie) is not above putting the heroine in mortal danger when
she rebuffs his advances. Even the burger-eating Wimpy has his charms, despite
his gluttony and laziness. After the comic strip, Popeye went through three stages. These early Fleischer cartoons are the best, with their amazingly fluid movements and deep, detailed backgrounds. In 1942, Famous Studios cartoons (at Paramount) took over, using color and slightly different rhythms. Finally, King Features produced several chintzy cartoons for TV in the early 1960s that are not really worth looking at. Warner Home Video presents the first 60 cartoons here -- all Fleischers -- in chronological order (unlike their Looney Tunes sets, which more or less randomly slap together cartoons by theme). Each is a vast improvement over the previous public domain DVDs. Additionally, each disc comes with vast amounts of extras, from commentary tracks to featurettes to bonus cartoons. Here's the breakdown: DISC ONE Extras: commentaries on selected cartoons by various filmmakers and historians, a 43-minute documentary, I Yam What I Yam: The Story of Popeye the Sailor, various Popeye "Popumentaries" accessible via the episodes menu, and -- best of all -- three early silent cartoons based on other comic strips: Colonel Heeza Liar at the Bat (1915), Krazy Kat Goes A-Wooing (1916) and Domestic Difficulties (1916), with Mutt and Jeff. The main cartoons come with optional English subtitles. DISC TWO Extras: commentaries on selected cartoons by various filmmakers and historians, a 30-minute documentary, Forging the Frame: The Roots of Animation 1900-1920, with lots of clips from early Fleischer brothers, Winsor McKay and Felix the Cat cartoons, various Popeye "Popumentaries" accessible via the episodes menu, and three more early silent cartoons: Bobby Bumps Puts a Beanery on the Bum (1918), Feline Follies (1919) with Felix, and The Tantalizing Fly (1919), with Koko the Clown. DISC THREE Extras: commentaries on selected cartoons by various
filmmakers and historians, various Popeye "Popumentaries" accessible
via the episodes menu, and six early Fleischer brothers "Out of the
Inkwell cartoons with Koko the Clown: Modeling (1921), Invisible Ink
(1921), Bubbles (1922), Jumping
Beans (1922), Bed Time (1923) and Trapped (1923). DISC FOUR Extras: commentaries on selected cartoons by various
filmmakers and historians, various Popeye "Popumentaries" accessible
via the episodes menu, and three more, increasingly gorgeous Fleischer
"Out of the Inkwell cartoons with Koko the Clown: A Trip to Mars (1924), Koko Trains 'Em (1925) and Koko Back Tracks (1927), plus Let's Sing with Popeye (1934), a two-minute follow-the-bouncing-ball job.
There are also trailers for other cartoon sets, including the new "Looney
Tunes: The Golden Collection - Vol. 5," and Superman: Doomsday. Starring: (voices) Jack Mercer, Mae Questel, Gus Wickie |
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