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The Innkeepers ***1/2
The Woman in Black ***
The Grey ***
Man on a Ledge ***
Underworld Awakening **
Fullmetal Alchemist: The Sacred Star of Milos ***
Haywire ***
Beauty and the Beast ****
Contraband ***
The Divide *
Tinker Tailor Soldier Spy ****
The Devil Inside **
The Iron Lady **
A Separation ***
Pariah ***1/2
Extremely Loud and Incredibly Close ***
The Darkest Hour **
War Horse **1/2
In the Land of Blood and Honey **
The Adventures of Tintin ***1/2
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Adaptation
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Drive
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The 54th San Francisco International Film Festival - 2011 Coverage
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Film Books

Have Yourself a Movie Little Christmas, by Alonso Duralde
Not Quite a Memoir: Of Films, Books, the World, by Judy Stone
James Agee: The Library of America Collection, by James Agee
Just Making Movies, by Ronald L. Davis
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The online film magazine Combustible Celluloid offers new movie reviews, DVD reviews, film reviews, actor interviews, actress interviews, director interviews, film books and all things cinema related for the thoughtful and passionate. Online for ten years! Over 3000 reviews!

 
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© 1997-2012 Combustible Celluloid



Masculine Feminine (1966)

Rating: 4 Stars (out of 4)

The Children of Marx and Coca-Cola

By Jeffrey M. Anderson

Buy Masculine Feminine on DVD

French New Wave icon Jean-Pierre Leaud was best known as the sullen romantic Antoine Doniel in Francois Truffaut's five-film cycle. In Masculine Feminine, he stars as the other half of his persona for director Jean-Luc Godard. Ostensibly, the film traces the relationship between left-wing rebel Paul (Leaud) and pop singer Madeleine (Chantal Goya). But as always, Godard uses the story to hang a myriad of sociopolitical ideas and pop culture references upon. No one was ever better at collecting a hodgepodge of ideas and making them work as a cohesive whole, as the voice of one hyper-intelligent, constantly frustrated commentator. The film progresses through 15 chapters, watching as Madeleine rises in her singing career, as Paul earns a living interviewing teen idols, and as they eventually become roommates along with Madeleine's two female friends. Paul tries to impart his taste for Bach and communism on the girls, but they either ignore him or laugh at him. Godard isn't even interested in anything like passion or sex as much as listening to his characters talk. Certainly, this was one of Godard's masterworks made during a period of incredible productivity and quality (beginning with Breathless in 1959 and culminating with Weekend in 1967). As always, it helps to just let the movie wash over you and take in whatever ideas stick -- then see it again. Brigitte Bardot (who had worked with Godard earlier in 1963's Contempt) appears in a cameo, going over a script for her next film.

Starring: Jean-Pierre Leaud, Chantal Goya, Marlene Jobert, Michel Debord, Catherine-Isabelle Duport, Brigitte Bardot
Written by: Jean-Luc Godard, based on stories by Guy de Maupassant
Directed by: Jean-Luc Godard
MPAA Rating: Unrated
Language: French with English subtitles
Running Time: 103 minutes
Date: March 11, 2005

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