The Colossus of New York (1958)

In reality, the monster barely moves, and he doesn't even leave the lab until the film's final few minutes. Even then, the creature is so slow and clumsy that it must trick its intended victim to come to it.

The movie begins with two grown brothers. Jeremy Spensser (Ross Martin) is a brilliant scientist, focused on the betterment of mankind. His brother Henry (John Baragrey) is not quite so brilliant, but doesn't seem to resent his brother. Their father, William (Otto Kruger), has very clearly chosen Jeremy as his favorite son. Jeremy has it all: a pretty wife, Anne (Mala Powers), and a charming son, Billy (Charles Herbert).

While rescuing a runaway toy of Billy's, Jeremy dies in an accident. William concocts a fiendish plan to insert Jeremy's brain into an electronic body so that he can continue his work; Henry builds the body, but does not believe that Jeremy will be able to function properly without physical stimulus. Unfortunately, Henry is right, and Jeremy's new body (played by Ed Wolff, who played lots of giants and monsters) is a horrible monster.

It's a ridiculous conceit, of course, but for some reason director Eugène Lourié (The Beast from 20,000 Fathoms, Gorgo) concentrates mostly on characters discussing it rather than showing any rampaging. The scientists furrow their brows and seriously ponder this situation, while the colossus walks slowly... ever so slowly... around (one scene was obviously undercranked to get the colossus to his goal a bit faster). It's not as if this material is Nobel Prize-worthy, either.

In other words, this movie commits the crime of being a dull exploitation movie, which is almost as bad as being an unfunny comedy. Olive Films' DVD showcases a nice, high-quality transfer, for those that are interested.