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Dark Shadows ***
Darling Companion **1/2
God Bless America ***
Marvel's The Avengers ***1/2
ReGeneration ***
Sound of My Voice ***
The Pirates! Band of Misfits ***1/2
The Raven ***
Safe **1/2
The Lucky One 1/2*
4:44 Last Day on Earth **1/2
Blue Like Jazz **
The Cabin in the Woods ***1/2
Damsels in Distress ***1/2
Lockout **1/2
The Three Stooges ***
The Turin Horse ****
We Have a Pope **1/2
American Reunion **
Goon ***
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Bird of Paradise
Maniac Cop
Miss Representation
Mother's Day (2012)
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Tim and Eric's Billion Dollar Movie
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Clueless
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Film Features

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2011: The Year's Best Films
Year's Best DVDs and Blu-Rays
San Francisco Film Critics Circle Awards
The Decade's Ten Best Films: 2000-2009
My Top 100 Films [Updated]
My Top 60 Directors [Updated]
Christmas Movies
Essential Halloween & Horror Movies
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Film Books

Have Yourself a Movie Little Christmas, by Alonso Duralde
Not Quite a Memoir: Of Films, Books, the World, by Judy Stone
James Agee: The Library of America Collection, by James Agee
Just Making Movies, by Ronald L. Davis
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The online film magazine Combustible Celluloid offers new movie reviews, DVD reviews, film reviews, actor interviews, actress interviews, director interviews, film books and all things cinema related for the thoughtful and passionate. Online for ten years! Over 3000 reviews!

 
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© 1997-2012 Combustible Celluloid



Searching for John Ford, by Joseph McBride

Review by Jeffrey M. Anderson

Buy Searching for John Ford: A Life, Joseph McBride

John Ford may be one of the most celebrated and respected of American directors, and his reputation continues long past his death. Even his four Oscars for Best Director (The Informer, The Grapes of Wrath, How Green Was My Valley and The Quiet Man) still seem justified. But author and film scholar Joseph McBride still believes Ford hasn't quite got his due.

In his new book "Searching for John Ford: A Life" (St. Martin's Press, $40, Hardcover) he attempts to reconcile the man and the artist. Born a hard-nosed Irishman, Ford was never able to come to terms with the fact that he was an artist, and so he covered up for this dual nature by acting like a jerk.

During his many years of research, McBride only spent an hour with John Ford before the director died in 1973. Going further into depth than even previous Ford chroniclers Peter Bogdanovich and Lindsay Anderson, McBride still manages an astonishing portrait of a confusing, aggravating and astonishing man full of contradictions and conflicts.

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