Needless to say, some people have a hard time choosing their special memory. Some people's choices are oddly simple or seemingly meaningless. But each one is touching in its own way. One young girl wants to choose a visit to Disneyland. When a staff member informs her that nearly all young girls choose a Disneyland memory, the girl changes her memory to one of laying in her mother's lap. When a man has a difficult time choosing, the staff orders him to review videotapes of his life. As he sits through them, he discovers a moment -- not of his own happiness -- but one in which his wife from an arranged marriage seemed happy. It's a simple moment of the couple sitting on a park bench talking about the movies.
Kore-eda interviewed a huge cross-section of Japanese citizens to come up with the memories in his screenplay. A lot of them are about war, lending a bittersweet quality to the movie. One young man was killed in war at a young age. Unable to decide on a memory, he has worked as way station staff for decades. After meeting a man with whom he shares a connection he finally makes his decision and moves on.
After Life is a fully satisfying experience, not only on an artistic level (it's beautifully filmed and paced), but because one can't help connect with it and join in on its game of choosing memories. It's quite an achievement that a movie about death can be so hopeful.