Combustible Celluloid
 
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With: Michael Keaton, Emma Stone, Zach Galifianakis, Naomi Watts, Andrea Riseborough, Edward Norton, Amy Ryan
Written by: Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Armando Bo
Directed by: Alejandro González Iñárritu
MPAA Rating: R for language throughout, some sexual content and brief violence
Running Time: 119
Date: 10/24/2014
IMDB

Birdman (2014)

4 Stars (out of 4)

Winging It

By Jeffrey M. Anderson

Michael Keaton is a great actor, and he may at last have found his great role, in the new Birdman, subtitled, or (The Unexpected Virtue of Ignorance). That may sound like a strange statement about a guy who made so many lowbrow comedies, a couple of Batman movies, and, since then, a string of nearly-forgotten films.

But, like Bill Murray and Jim Carrey, Keaton understands how comedy is part of a physical performance, how laughter is intertwined with pain and longing. A comedian like Keaton struggles in the open with these things. For him, there's a great deal at stake.

There's a great deal at stake, also, for Keaton's character Riggan Thomson. He was a success many years ago in three Birdman superhero movies, and now has decided to make his Broadway debut, directing, starring in, and adapting a Raymond Carver short story (What We Talk About When We Talk About Love) to the stage.

Also, Riggan hears a voice his his head and appears to have telekinetic powers.

Keaton's co-stars are superb, totally dedicated to the cause. Naomi Watts, Andrea Riseborough, and Edward Norton are fellow actors, Emma Stone is his wounded daughter, Zach Galifianakis is his friend and business partner, and Amy Ryan is his ex-wife.

Director Alejandro Gonzalez Inarritu seemingly films the movie in one continuous take. Or, more accurately, there are no visible edits. The great Emmanuel (Gravity) Lubezki's camera tracks through dressing rooms, down narrow hallways, snaking around backstage, up to hidden balconies, and occasionally outside.

This approach creates a very different rhythm for a movie; edits normally provide little breaks, a little "reset" between moments and scenes, but in Birdman, everything is a continuous maelstrom.

The movie seems perfectly tuned to Keaton's instrument. It leaps and pitches, dips halfway to insanity, and remains firmly rooted. It may be the first time since Beetlejuice that a movie has fully supported him.

What a gift that Inarritu has devoted himself to such a passionate actor, and such a worthy cause. It's the best film in a career that has lately been devoted to Oscar-hunting (21 Grams, Babel, Biutiful).

Birdman toys with many themes, flitting through the film like streams of consciousness, leaving half-remembered impressions. What is an actor? Is real art better than commercial entertainment? Why do we need love, or adoration? What do we want out of life? Do we have the simple power of truly appreciating a bird, or a flower?

In this movie, the answers are always there, but the catch is that we never stop moving.

Birdman was nominated for 9 Oscars and won Best Picture, Best Director, Best Original Screenplay, and Best Cinematography.

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