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The Host (2007)Rating: 3 1/2 Stars (out of 4)Squid MarksBy Jeffrey M. Anderson
We soon learn that Gang-du is a widower and a single dad, raising his crafty daughter, Hyeon-seo (Ko Ah-sung), all on his own. When she complains that her cell phone is not fit to be seen in public, he reveals -- in a funny and touching moment -- a ratty popcorn bucket full of loose change, all saved in an effort to buy her a new phone. Gang-du's father, Park Heui-bong (Byeon Heui-bong), owns the stall and does his best to make sure that the fried squid has the proper number of tentacles when served. While serving snacks, Gang-du notices a throng of people staring at something under the nearby bridge. It looks like a giant, hanging sac. Suddenly it drops in the water. Bong's camera swings around, capturing Gang-du's passive face, and swings around again as it casually captures the giant beast, a kind of mutated squid, climbing onto the bank and galumphing toward us. It's an astonishing moment, perhaps the greatest "monster reveal" moment ever shot. The monster manages to capture Hyeon-seo, which brings out the entire Park family. Gang-du's sister Nam-ju (Bae Du-na) is, of all things, a professional, competing archer, and his brother Nam-il (Park Hae-il) is a kind of suave troublemaker, a college graduate unable to land a job in modern Korea. Fortunately, Hyeon-seo manages to phone her father from some unknown location near the river and the search is on. Unfortunately for our heroes, their search becomes complicated when the government decides that the monster is also carrying a fatal disease, and quarantines the entire river area. If The Host were a documentary about the horrors of modern life, audiences would nod gravely, sit through it with a sense of righteous duty and then move on. Bong's supreme achievement is that he has made his many messages -- unemployment, the state of food, pollution, mob hysteria, government reliability, military arrogance, etc. -- fun. Beyond that, it's actually quite a dense film, with many focuses. And so Bong has achieved a deft juggling act as well as an enormously skillful film with just the right touches of humor and pathos to balance its horrors. Indeed, Bong seems to understand that the sight of a giant monster isn't really enough to scare audiences these days, and so the monster is never the main focus. It's never meant to be; instead it's a wedge driven between the comfortable aspects of life and the terrible ones. The monster reminds us how truly good we have it, but also how bad things really are if we remember, if we're not too scared, to look. Note: the film's F/X were created at San Francisco's The Orphanage. Please also see my longer reivew at Cinematical.com. DVD Details: Magnolia Home Entertainment has released a spectacular 2-disc set of this great film. Disc one comes with a director's commentary track (in English), co-hosted by critic Tony Rayns. It also comes with an English-dubbed audio track for that Godzilla flavor, as well as the original Korean. Other extras include deleted scenes, deleted "news reports," and comments from director Bong. Disc two comes with all kinds of featurettes about the creature and other goodies. Starring: Song Kang-ho, Byeon Hie-bong, Park Hae-il, Bae Du-na, Ko Ah-sung |
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