|
New movie reviews, DVD reviews, interviews, and all things film.
Home | Archive | About | Cinematical.com | Lists | News | Links | E-mail me | Sign up for my weekly newsletter! The Girl on the Train *** Greenberg **1/2 Mother Repo Men **1/2 The Runaways More Armored Astro Boy Broken Embraces Dillinger Is Dead Fallen Angels (Blu-Ray) The Fourth Kind Ninja Assassin The Princess and the Frog Undead: The Vampire Collection Wonderful World The 25 Best DVDs of 2009 More The Decade's Ten Best Films: 2000-2009 My 2003 Interview with Brittany Murphy San Francisco Film Critics Circle Awards 2009 Richard Linklater John Woo Jared and Jerusha Hess Essential Halloween Movies Michael Stuhlbarg Jane Campion Bobcat Goldthwait Hugh Dancy Kathryn Bigelow Willem Dafoe: The 2009 CineVegas Interview David Carradine A 2002 Interview with Edward Asner Vinessa Shaw Henry Selick 2008: The Year's Ten Best Films The San Francisco Film Critics Circle Awards 2008 The 25 Best DVDs of 2008 Bruce Campbell Darren Aronofsky and Marisa Tomei Josh Brolin A Tribute to Paul Newman Steve Coogan on Hamlet 2 Manny Farber (1917-2008) Bernie Mac (1957-2008) Emily Mortimer Brad Anderson Don Cheadle at CineVegas Abel Ferrara at CineVegas Tina Sinatra My Top 100 Films [Updated] My Top 60 Directors [Updated] The Top 50 Movies of the Past Ten Years (1997-2006) Terry Zwigoff on the new Bad Santa Director's Cut Alfonso Cuarón Interview Guillermo Del Toro Interview Christmas Movies Combustible Celluloid's Big Guide to Halloween & Horror Movies Cult Movies Actress Interview Gallery The Top 100 More Features and Interviews James Agee: The Library of America Collection, by James Agee Just Making Movies, by Ronald L. Davis Guide to Essential Movies, by Joe Leydon Cecil B. DeMille's Hollywood, by Robert S. Birchard Profoundly Disturbing, by Joe Bob Briggs A Third Face, by Samuel Fuller Dark Lover, by Emily Leider Agee on Film, by James Agee Lulu in Hollywood, by Louise Brooks Negative Space, by Manny Farber 5001 Nights at the Movies, by Pauline Kael More Books Reviews A-C Reviews D-F Reviews G-J Reviews K-M Reviews N-Q Reviews R-T Reviews U-Z The online film magazine Combustible Celluloid offers new movie reviews, DVD reviews, film reviews, actor interviews, actress interviews, director interviews, film books and all things cinema related for the thoughtful and passionate. Online for ten years! Over 3000 reviews!
© 1997-2009 Combustible Celluloid |
The Departed (2006)Rating: 3 1/2 Stars (out of 4)Rat RaceBy Jeffrey M. Anderson
Even though The Departed doesn't quite reach Scorsese's peak, it could well be one of the year's best films. It lacks the gaudy grandeur of something like Casino (1995) or The Aviator (2004), but it's also not as compact as Mean Streets (1973) or Bringing Out the Dead (1999). Running a full 149 minutes, its energy eventually flags; the ending plays as if everyone just wanted to go home. But until then The Departed moves with a fury, switching and leaping like an extended version of the drug-induced GoodFellas climax. Based on Andrew Lau and Alan Mak's superb, taut 100-minute Hong Kong action film Infernal Affairs (2002), the story follows two cops/criminals. The first, Colin Sullivan (Matt Damon), works for a Boston gangster, Frank Costello (Jack Nicholson), and operates as a mole within the police department. The second, Billy Costigan (Leonardo DiCaprio), is an undercover cop who poses as a member of Costello's gang. Both rats have burrowed so deeply undercover that their true identities hang by a tenuous thread; they don't even know each other. Sullivan answers only to Costello, while Costigan secretly reports to the kindly Queenan (Martin Sheen) and the cranky Dignam (Mark Wahlberg). Scorsese and screenwriter William Monahan (Kingdom of Heaven) add a further complication: a blond, blue-eyed police shrink (Vera Farmiga) who links up romantically with both protagonists. Every actor in Hollywood wants to work with Scorsese, and he honors them all; Alec Baldwin tosses off a few snappy line readings, while spot-sweating through his blue cotton shirt. Ray Winstone makes a touching thug, and Anthony Anderson finds the pathos within his happy-go-lucky comic persona. Yet, one wishes that Damon had played his role a little less like a traditional villain and more like Costigan's equal. Nicholson nearly steals the entire film with his hilariously offensive tidbits of wisdom, but it's Scorsese's domain, and his presence is behind every gorgeous shot. One breathtaking moment simply has Sullivan and Costigan "meeting" for the first time over cell phones; they're framed exactly the same, shocked silent by fear and anticipation. Here technology connects everyone, as does violence, ranking everyone at the same level. Scorsese has ceased fighting the personal demons that haunted Taxi Driver and Raging Bull. Now he's here to demonstrate the sheer infectious pleasure of making cinema, a glorious symphony of motion in the key of violence. DVD Details: Though it may not be Scorsese's best film it's certainly one of his most fun. I've seen it three times now, whereas I wasn't too excited about seeing The Aviator again. Warner Home Video has released three DVDs: a stripped-down version in both widescreen and pan-and-scan, and the great, 2-disc set with deleted scenes and featurettes, and the feature-length TCM doucmentary Scorsese on Scorsese. Starring: Jack Nicholson, Matt Damon, Leonardo DiCaprio, Vera Farmiga, Martin Sheen, Mark Wahlberg, Ray Winstone, Alec Baldwin, Anthony Anderson, Kevin Corrigan |
| Home |
News |
Search Reviews |
Classic Movies |
DVDs |
Features |
Film Books |
Gallery |
Links |
About |
The Rating System |
Email Me |