|
New movie reviews, DVD reviews, interviews, and all things film.
Home | Archive | About | Cinematical.com | Lists | News | Links | E-mail me | Sign up for my weekly newsletter! The Girl on the Train *** Greenberg **1/2 Mother Repo Men **1/2 The Runaways More Armored Astro Boy Broken Embraces Dillinger Is Dead Fallen Angels (Blu-Ray) The Fourth Kind Ninja Assassin The Princess and the Frog Undead: The Vampire Collection Wonderful World The 25 Best DVDs of 2009 More The Decade's Ten Best Films: 2000-2009 My 2003 Interview with Brittany Murphy San Francisco Film Critics Circle Awards 2009 Richard Linklater John Woo Jared and Jerusha Hess Essential Halloween Movies Michael Stuhlbarg Jane Campion Bobcat Goldthwait Hugh Dancy Kathryn Bigelow Willem Dafoe: The 2009 CineVegas Interview David Carradine A 2002 Interview with Edward Asner Vinessa Shaw Henry Selick 2008: The Year's Ten Best Films The San Francisco Film Critics Circle Awards 2008 The 25 Best DVDs of 2008 Bruce Campbell Darren Aronofsky and Marisa Tomei Josh Brolin A Tribute to Paul Newman Steve Coogan on Hamlet 2 Manny Farber (1917-2008) Bernie Mac (1957-2008) Emily Mortimer Brad Anderson Don Cheadle at CineVegas Abel Ferrara at CineVegas Tina Sinatra My Top 100 Films [Updated] My Top 60 Directors [Updated] The Top 50 Movies of the Past Ten Years (1997-2006) Terry Zwigoff on the new Bad Santa Director's Cut Alfonso Cuarón Interview Guillermo Del Toro Interview Christmas Movies Combustible Celluloid's Big Guide to Halloween & Horror Movies Cult Movies Actress Interview Gallery The Top 100 More Features and Interviews James Agee: The Library of America Collection, by James Agee Just Making Movies, by Ronald L. Davis Guide to Essential Movies, by Joe Leydon Cecil B. DeMille's Hollywood, by Robert S. Birchard Profoundly Disturbing, by Joe Bob Briggs A Third Face, by Samuel Fuller Dark Lover, by Emily Leider Agee on Film, by James Agee Lulu in Hollywood, by Louise Brooks Negative Space, by Manny Farber 5001 Nights at the Movies, by Pauline Kael More Books Reviews A-C Reviews D-F Reviews G-J Reviews K-M Reviews N-Q Reviews R-T Reviews U-Z The online film magazine Combustible Celluloid offers new movie reviews, DVD reviews, film reviews, actor interviews, actress interviews, director interviews, film books and all things cinema related for the thoughtful and passionate. Online for ten years! Over 3000 reviews!
© 1997-2009 Combustible Celluloid |
The Vertical Ray of the Sun (2001)Rating: 3 Stars (out of 4)The Sun in the RainBy Jeffrey M. Anderson Buy The Vertical Ray of the Sun on DVD
So anyone who goes to see Tran Anh Hung's new film (which appeared at this year's San Francisco International Film Festival) will be pleasantly, gorgeously surprised. The film begins as Hai (Ngo Quanq Hai), a twentysomething Vietnamese man, wakes, shuts off his alarm clock and turns on the stereo, cued to the Velvet Underground's "Pale Blue Eyes." From the next bed, another figure stirs, the staggeringly beautiful Lien (Tran Nu Yen-Khe), with several strands of her long hair continually falling over her eyes. Tran's camera stays unbroken on the scene as the two figures languidly rise and shake sleep from their bodies. Hai begins a few exercises, while Lien simply sits on the edge of her bed. The room is warm enough to cast a lazy, peaceful spell, and bits of jungle peek in through the windows. The pair is obviously not in a hurry, and this lovely, relaxed lifestyle quickly overcomes us. Lien and Hai provide the most compelling of the movie's many subplots. They're brother and sister who share an apartment, and Lien is strangely smitten with her brother (she tells him he reminds her of their father). At breakfast, she asks him to sit by her so that they can see the same view. During subsequent nights, Lien finds excuses to slip into her brother's bed to sleep with him. ("I was cold," she tells him.) Hai brushes her off, apparently not sensing anything unusual. Strangely enough, their beds lay directly next to each other, separated only by a thin piece of silk. But their two sisters experience little soap operas of their own. Khanh (Le Khanh) is married to a writer, blocked from finishing the final pages of his novel, and Suong (Nguyen Nhu Quynh) is married to a botanical photographer who's always on the road. Each of these four characters keeps little erotic secrets from each other, but none as fascinating or forbidden as Lien's unrequited relationship with Hai. Tran, who previously directed only two feature films -- The Scent of Green Papaya (1993) and Cyclo (1995) -- keeps going back to the land itself to play off the humans. At one point, when Lien goes to a neighborhood cafe and tries to visit a different, legitimate suitor, who (like her brother) resists her affections, there's a huge downpour. It blankets everything in warm, noisy wetness, and makes the interior of the café with its warm cups of tea particularly inviting. Another rainstorm catches Lien and Hai off guard, and they must hide out together in a small cranny, waiting for it to let up. Water, and the eroticism of water, keeps coming into play even with the secondary characters. Born in Vietnam and educated in France, Tran now looks at his home country with an outsider's eye, allowing him to carefully juxtapose interior and exteriors, man and nature, without seeming too obvious or cutesy. The Vertical Ray of the Sun is the clearly work of a master poet. His luminous star and muse, Tran Nu Yen-Khe, has also appeared in previous films, so it's clear as to why she gets all the attention and the plum role. If the other two sisters had been as interesting and surprising as Lien, the film would have deserved masterpiece status. As it is, though, it still falls squarely into "must-see" territory. Starring: Tran Nu Yen Khe, Nguyen Nhu Quyhn, Le Khanh, Ngo Quang Hai, Chu Hung, Tran Manh Cuong, Le Tuan Anh, Le Ngoc Dung |
| Home |
News |
Search Reviews |
Classic Movies |
DVDs |
Features |
Film Books |
Gallery |
Links |
About |
The Rating System |
Email Me |