Combustible Celluloid


New movie reviews, DVD reviews, interviews, and all things film.

 
Home | Archive | About | Cinematical.com | Lists | News | Links | E-mail me | Sign up for my weekly newsletter!  
 



2009 Oscars
District 13: Ultimatum **1/2
From Paris with Love **1/2
Edge of Darkness **
Fish Tank ***1/2
Legion **
When in Rome *
More
 




Adam
The Bourne Identity [DVD/Blu-Ray hybrid]
The Bourne Supremacy [DVD/Blu-Ray hybrid]
The Bourne Ultimatum [DVD/Blu-Ray hybrid]
The House of the Devil
Import Export
More Than a Game
Ong-Bak 2
Zombieland
The 25 Best DVDs of 2009
More
 

Film Features

2009: The Year's Ten Best Films
The Decade's Ten Best Films: 2000-2009
My 2003 Interview with Brittany Murphy
San Francisco Film Critics Circle Awards 2009
Richard Linklater
John Woo
Jared and Jerusha Hess
Essential Halloween Movies
Michael Stuhlbarg
Jane Campion
Bobcat Goldthwait
Hugh Dancy
Kathryn Bigelow
Willem Dafoe: The 2009 CineVegas Interview
David Carradine
A 2002 Interview with Edward Asner
Vinessa Shaw
Henry Selick
2008: The Year's Ten Best Films
The San Francisco Film Critics Circle Awards 2008
The 25 Best DVDs of 2008
Bruce Campbell
Darren Aronofsky and Marisa Tomei
Josh Brolin
A Tribute to Paul Newman
Steve Coogan on Hamlet 2
Manny Farber (1917-2008)
Bernie Mac (1957-2008)
Emily Mortimer
Brad Anderson
Don Cheadle at CineVegas
Abel Ferrara at CineVegas
Tina Sinatra
My Top 100 Films [Updated]
My Top 60 Directors [Updated]
The Top 50 Movies of the Past Ten Years (1997-2006)
Terry Zwigoff on the new Bad Santa Director's Cut
Alfonso Cuarón Interview
Guillermo Del Toro Interview
Christmas Movies
Combustible Celluloid's Big Guide to Halloween & Horror Movies
Cult Movies
Actress Interview Gallery
The Top 100
More Features and Interviews
 

Film Books

Not Quite a Memoir: Of Films, Books, the World, by Judy Stone
James Agee: The Library of America Collection, by James Agee
Just Making Movies, by Ronald L. Davis
Guide to Essential Movies, by Joe Leydon
Cecil B. DeMille's Hollywood, by Robert S. Birchard
Profoundly Disturbing, by Joe Bob Briggs
A Third Face, by Samuel Fuller
Dark Lover, by Emily Leider
Agee on Film, by James Agee
Lulu in Hollywood, by Louise Brooks
Negative Space, by Manny Farber
5001 Nights at the Movies, by Pauline Kael
More Books
 



Home
Reviews A-C
Reviews D-F
Reviews G-J
Reviews K-M
Reviews N-Q
Reviews R-T
Reviews U-Z
 

The online film magazine Combustible Celluloid offers new movie reviews, DVD reviews, film reviews, actor interviews, actress interviews, director interviews, film books and all things cinema related for the thoughtful and passionate. Online for ten years! Over 3000 reviews!

 
SEARCH MOVIES / CELEB

Advanced Search

 
© 1997-2009 Combustible Celluloid



Fat Girl (2001)

Rating: 0 Stars

Plump Chump

By Jeffrey M. Anderson

Buy Fat Girl on DVD

If you plan to see this loathsome, repugnant movie, you should stop reading here. I will discuss the movie's unbelievable ending, for it ties in with just how bad Fat Girl really is. I went into Fat Girl with some trepidation, as I did not like director Catherine Breillat's last film Romance, which was an insultingly banal and grotesque "exploration" of twisted sexual desires wrapped up in an art film -- with lots of sex. But at least the characters in that movie were adults! Fat Girl projects its sick rape fantasies onto a pair of underage girls.

Fat Girl introduces its protagonists as two sisters, one thin and beautiful, the other fat. The movie's biggest revelation is that these two types of girls get treated differently in society.

If Fat Girl had chosen to explore this idea, discuss how or why, or even look at it in a different light, the film might have been worth something. But it just lays it out for us from the point of view of the two girls who are discovering this fact of life for the first time. Hey! We're treated differently and act differently because of our looks! What a headline! What insight!

Breillat provides the two girls, the pretty one named Elena (Roxane Mequida) and the fat one named Anais (Anais Reboux), with vapid parents who don't seem to notice anything going on with their daughters, other than the fact that Anais eats all the time. (Every fat kind in every stupid teen comedy is portrayed as eating all the time -- it's insulting.)

While on holiday with her family, Elena meets an Italian tourist named Fernando (Libero de Reinzo) and they immediately begin making out in a public restaurant and in front of Anais. Later, Fernando meets Elena for sex in her room -- also performed in front of Anais.

The first sex scene, shown to us in a single long shot, is basically a rape scene with Elena protesting that she doesn't want to have sex yet, and the horny guy trying to goad her into it. It's a horrible, vile scene.

Fernando gives Elena a ring stolen from his mother's jewelry box. When the girls' mother (Arsinee Khanjian) finds out, their holiday ends, and she loads them in the car and begins the long drive back home (the father has already left by then). We're treated to about 30 minutes of the characters driving, stopping to eat cruddy looking sandwiches and -- of course -- for poor fat Anais to get carsick.

After Breillat beats us into a severe state of ennui, our heroes fall asleep in the car at a rest stop. A heretofore-unannounced rapist bashes through the windshield, kills the mother and Elena, and hauls Anais into the woods to rape her. Anais decides not to tell the cops because she always wanted her first time to be with someone she doesn't love! Her family is dead and she's thinking about sex!

Worst of all, Breillat doesn't even bother to focus on the fat girl of the title! It's all Elena's story: Anais just eats and sulks. Even the insipid Shallow Hal has more to say about being fat than Fat Girl.

Clearly Breillat is one seriously disturbed filmmaker, making Oliver Stone and Brian De Palma look healthy and normal. She's trying for therapy in her films, but lacks the talent or artistry to make anything out of her demons. They're just naked demons, lying there with no disguises for everyone to see. She should just see a shrink and save everyone a lot of time and trouble.

I can usually find some redeeming facet in every movie, but Fat Girl has none. It's utterly worthless, and its existence serves no audience members -- only Breillat's nauseating fantasy. I've noticed several other critics calling it art merely because it's presented in French and was directed by a woman. (These same critics bashed the admirable French video Baise-moi which equated female sexuality with power.) This same movie directed by a man and/or in English would merely be undisguised sewage.

Starring: Anais Reboux, Roxane Mesquida, Libero de Reinzo, Arsinee Khanjian
Written by: Catherine Breillat
Directed by: Catherine Breillat
MPAA Rating: Unrated
Language: French, with English subtitles
Running Time: 86 minutes
Date: November 30, 2001

Home
News
Search Reviews
Classic Movies
DVDs
Features
Film Books
Gallery
Links
About
The Rating System
Email Me
All scribblings © 1997-2010 Combustible Celluloid